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So, if you hope to get close to that sound, it’s going to take more, a lot more, than just a tape simulation plugin. What we find so attractive about ‘tape sound’ is never just the sound of tape, it’s the sound of an entire chain of (often analog) hardware doing its creamy thing. A tape machine is always preceded and followed by a more or less intricate chain of other hardware (pre-amps, compressors, dbx, consoles, EQ’s, etc …), all components of which have just as much influence on the sound, if not more, as the tape does. Tape sound in complete isolation doesn’t exist. I can’t, even though I’ve worked with real reel-to-reels. That said, I never quite understood how people can pretend to be able to judge tape sound in isolation.
The Anamod, on the other hand, is able to penetrate much deeper. They seem unable to get really ‘into the sound’. That sound has a certain something, subtle but noticeable (especially dynamically) and totally un-DAW-like, which is really different.Ī thing that disappoints me in most plug-ins that do this kind of thing, is that they literally only scratch the surface a little but do nothing else. (And I’ve tried them all.) Can’t really describe it and you can barely hear it, but whenever I line up various mixes of mine some of which went through the Anamod while others didn’t, months and even years later I can still pick out the ones which did.
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Win! Arturia AudioFuse 8Pre & Software Bundle Worth £1200ĪEA KU5A Unidirectional Ribbon Microphone What the Anamod is really good at, I find, is this: with the audio being sent through actual circuitry rather than algorithms, something physical happens to the sound which, thus far, I haven’t heard any plug-in quite manage.
When producer Sam Williams discovered Supergrass he knew he had to capture the band’s infectious energy on tape. The Nonlinear Labs C15 is that rarest of things - a synth that dares to be different. Nonlinear Labs C15 Polyphonic Synthesizer Surely there is nothing new to be done with the design of the humble guitar speaker cabinet? Well, actually, it turns out there is, and I don’t think I’ll ever want to use an ‘ordinary’ cabinet again!. Simplicity meets sophistication in Relab’s impressive new reverb plug-in.īarefaced Audio Reformer 112 Guitar Speaker Cabinet. Relab Sonsig Rev-A Algorithimic Reverb Plug - In Laptops, loops and layers are the tools that have taken Oliver Heldens to the forefront of the future house genre. Novation’s latest LaunchKey Mini offers more features in a smaller package. Novation LaunchKey Mini MkIII Controller Keyboard 
Yamaha’s newest powered speakers not only offer excellent sound and portability, but their optional Dante connectivity makes them a cinch to set up. Yamaha DZR10-D & DXS15XLF-D Networked Active PA Speakers Infinity is no ordinary audio editor, but one that allows you to manipulate the individual instruments within a mixed audio file in endless ways. Hit’n’Mix Infinity Unmixing & Spectral Resynthesis Software Audeze’s latest LCD-series cans make the company’s impressive planar magnetic technology more accessible than ever. Recording Status Quo: Guest engineer Andy Brook discusses his approach to recording the legendary British rockers’ 33rd studio album. Session Notes THE PRACTICAL CRAFT OF RECORDING Rumoured for months, the ‘powered by Acustica’ virtual mixer is now close to release - and we were treated to an exclusive test drive!. Quantica Modula Modular Acustica Plug-in Controller Is this the perfect partner for your ribbon mics? Thermionic’s latest valve preamp offers bags of gain and plenty of analogue warmth. Softube’s alternative mixing environment has grown faders - and they do much more than just fade!. Beiringer’s RD-8 is a cut-price recreation of Roland’s classic drum machine. Every issue also includes SOS's unique step-by-step tutorial and technique columns on all the leading DAW programs, as well as insightful interviews with leading producers, engineers and musicians. #SOFTUBE TAPE RELEASE DATE FULL#
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